My writing style is process driven, with a long germination period where I often watch the piece unfold in its own world, sometimes shedding any resemblance to its initial sketches. I am particularly drawn to the drama of life, the tension of opposites, and the uncertainty of the unknown. In “Birds Landing” the listener may begin to visualize the ebb and flow of a murmuration, accompanied with a sense of elation, foreboding, or grandness; in “Amphethymia” they may experience the feelings of unease and dread that arise through the inability to pick a side; and in “Hypnotech” the rising melodic lines interrupted over and over again resemble life's unanswered questions. On a more conceptual level, my music explores visual patterns, kinesthetic movements, and spatial parameters such as palindromes, geometric sequences, golden mean, etc. Every piece that I write is an attempt to connect the emotions and imagination; the heart and the mind.